Live performance Overview: The Warfare on Medicine at Revolution Dwell

It’s the little stuff you take without any consideration. The final time I noticed the riveting Philadelphia psych-rockers the Warfare on the Medicine, on the sizable Fillmore Miami Seaside in 2015, I had the posh of elevating my arms, possibly dancing a little bit bit.

Seven years later, with the band now immeasurably extra widespread—2021’s I Don’t Dwell Right here Anymore peaked at No. 3 on Billboard’s Prime Rock Albums chart, as an illustration—and inexplicably downgraded to a smaller venue, motility wasn’t a lot of an possibility. Private area was a blessing most of us couldn’t afford if we wished to be close to the motion; a struggle practically broke out subsequent to me due to this. It’s a regional reserving vagary that an act that offered out the 20,789-seat Madison Sq. Backyard, because the Warfare on Medicine did in January, would then be scheduled on the 1,300-capacity Revolution Dwell, however Florida is bizarre like that. We endure it for the bands we love.

The evening opened with a 30-minute set from ADVERTISEMENT, a Seattle band that wears its Seattleness throughout its look and sound. The six-piece group’s 2020 debut was praised by NME for its “Rolling Stones-sized swagger,” however I heard totally different derivations final evening. Primarily, ADVERTISEMENT conjured varied bands from the ‘90s alt-rock heyday all through its set—a little bit Nirvana, a little bit Lemonheads, a little bit Afghan Whigs—together with a dollop of the Doorways, due to the rollicking keyboards. All of it added as much as a satisfying, muscular dynamic, enhanced by generally three guitars slashing and chiming directly, although it nonetheless feels just like the group is creating its identification.

As for the headliner, my perspective is proscribed: I needed to go away the Warfare on Medicine’ set after simply an hour for a household obligation. However that 60 minutes of transportive bliss revealed a band that has grown, paradoxically, each tighter and extra expansive within the years since I final noticed them carry out.

Stunning opener “Child Missiles,” the one tune to make the set checklist from 2011’s Slave Ambient, was a shower of churning drone through which the opposite devices swam. The bombastic, unremittingly anthemic “Oceans of Darkness,” from the band’s newly launched deluxe version of I Don’t Dwell Right here Anymore, steered the outsized affect of Bruce Springsteen & the E Road Band, additional proof that arenas, not mid-sized golf equipment, are the Warfare on Medicine’ bailiwick. Within the staggering “An Ocean Between the Waves,” singer-songwriter Adam Granduciel (clad in a trippy Seaside Home T-shirt) turned on an echo impact, his vocals rippling all through the venue and seemingly past it.

Although it damage to depart such a unprecedented present so early, it so occurred that the group performed a number of of the songs I wished to listen to most in that first hour, and they didn’t disappoint, to say the least. In the course of the prolonged synthesizer intro to “Harmonia’s Dream,” concurrently icy and welcoming, I felt I had been teleported to a Kraftwerk live performance. And “I Don’t Wanna Wait” and “Sufferer” have been each sluggish burns that constructed, magisterially, into large conflagrations—frenzies of communal ecstasy that felt greater than life. I perceive from a buddy that this sense intensified afterward, throughout a number of the hits I missed.

It was great to listen to sounds that, on the albums, may have been synthesized, however have been in actual fact created organically, like Jon Natchez’s saxophone and trumpet, and even Charlie Corridor’s drums, as tight, metronomic and hypnotic as a drum machine.

Sooner or later, the magical, psychic break that’s distinctive to stay music took maintain, and I now not felt like a sardine crammed in a tin can. I used to be floating someplace amid the accommodating ether of the Warfare on Medicine’ heartland dispatches, pondering that this have to be how folks felt seeing the Grateful Useless of their primacy. As with the Useless, there’s actually no comparability between studio Warfare on Medicine and stay Warfare on Medicine: It’s like transitioning from 2D to 3D, or black-and-white to paint.

And that is all from seeing only one hour. I can’t think about the wonders that awaited the remainder of you fortunate people.


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